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Doubles, Paths, Triplicities [May. 21st, 2007|10:12 am]
[Current Location |Praag]
[mood |awake]

More interesting patterns developed from work with the Saadya Tree.

Associating the planets with triplicites (simply understood as beginning cardinal, middle fixed, end mutable), i.e. whether the star signs they govern are cardinal fixed or mutable we get

Saturn - Cardinal (Capricorn) + Fixed (Aquarius)
Jupiter - Mutable (Pisces) + Mutable (Sagitarrius)
Mars - Cardinal (Aries) + Fixed (Scorpio)
Sol - Fixed (Leo)
Venus - Cardinal (Libra) + Fixed (Taurus)
Mercury - Mutable (Gemini) + Mutable (Virgo)
Luna - Cardinal (Cancer)

Associating these with planets, letters (according to Saadya Tree) we get:

Beit/Saturn - CF
Gimel/Jupiter - MM
Dalet/Mars - CF
Sol/Kaph - F
Venus/Pe - CF
Mercury/Resh - MM
Luna/Tav - C

Placing these on the Tree according to the paths of the Saadya Tree we get -

http://www.thelogos.co.uk/darkwood.htm

from the bottom the left pillar reads - mutable-mutable, cardinal-fixed.
from the bottom the right pillar reads - cardinal-fixed, mutable-mutable
from the bottom the middle pillar reads - cardinal, fixed, cardinal-fixed

I am not quite sure of the significance of the left and right pillars here but I can see that they balance in that they are opposites of each other, if we take mutable to be 'the ending' of a given cycle then the left pillar has its ending at the 'lowest section' the path from Gevurah to Hod, and the right has its 'ending' at the highest section from Chesed to Hokmah.

I think the Middle Pillar attributions are intriguing as they seem to signify the alchemical work or the marriage of the prince (Zeir Anpin) and the princess (Nuqba). The cardinal sign of Luna, Cancer, unites with the fixed sign of Sol, Leo, and they go on to follow the path of Beit/Saturn to Keter (Arikh Anpin) as cardinal-fixed of the royal tradition.

- The triplicities arranged down the diagonals/simples of the "severe" side of Nail, Hook, etc and the "merciful" side Window, Fence, etc read

Severe -

Taurus/Vav - Fixed
Gemini/Zayin - Mutable
Virgo/Yod - Mutable
Libra/Lamed - Cardinal
Capricorn/Ayin - Cardinal
Aquarius/Tzaddi - Fixed

n.b - the doubles (triplicities) from above of this side read MM then CF

Merciful -

Aries/Heh - Cardinal
Cancer/Chet - Cardinal
Leo/Tet - Fixed
Scorpio/Nun - Fixed
Sagittarius/Samekh - Mutable
Pisces/Qoph - Mutable

n.b. - the doubles (triplicities) from above of this side read CF then MM

Is there an association between the triplicities associated with the vertical paths on the severe and merciful side and the triplicities associated with the severe simples and the merciful simples? Is this why the Gra went for an interlacing pattern of the simples, rather than a division into severe and merciful simple letters? The merciful side seems to show *more* of an order i.e. CCFFMM than the severe side which reads FMMCCF. We could group them in threes with the double vertical nearest to them on that side in which case you would get:

Severe
1) Taurus (F), Gemini (M) and Virgo (M) with the Mars vertical (CF).
2) Libra (C), Capricorn (C) and Aquarius (F) with the Mercury vertical (MM)

Therefore:

1) FMM - CF
2) CCF - MM

Merciful
3) Aries (C), Cancer (C) and Leo (F) with the Jupiter vertical (MM).
4) Scorpio (F) Sagitarrius (M) and Pisces (M) with the Venus vertical (CF)

Therefore:

3) CCF - MM
4) FMM - CF

We *can* observe a balancing pattern at work here, the only descrpencie seems to be a shortage of one cardinal or fixed in the balancing - this may link to the union of cardinal and fixed on the path of Beit/Saturn.
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What does the SY mean to me??? [Apr. 20th, 2007|11:37 am]
[mood |awake]

I am going to attempt to answer this question. I admit by being concise and scientific my account of the SY may lack colour - I am a trained scientist however and teach the subject so my account is going to lack the linguistic flair or philosophical insight of someone who is schooled or schooling in these areas. This account however is a framework for a much expanded text on the experiences of working with the text and the Saadia Tree where I will use many more anecdotes about the experiences and other such colour.

The SY to me is a book about Yetzirah, which is the world of the conscious intellect, and perhaps most importantly, the imagination. As Casey suggested it is from Yetzirah that our ideas become flesh in the world, from as barren a place as inventing the steam engine in our minds and making one in reality, to a literal "abrakadabra" - create as I speak, wording into existence. Our imagination works in symbols like those found in the dream dictionary, and the symbol par excellence is the letter. The letter can symbolise all manner of different concepts when it is arranged with other letters in a word.

So, to speak as simply as possible, alongside being an excellent "pamphlet" (for the SY is an exceedingly short, if dense, text) on metaphysics and containing some pieces of excellent poetry, I see the SY in its practical form, as a method of organising and enriching the intellect and the imagination, and more deeply as a way of making these ideas "become flesh" in the form of Golems. This is the effect it seems to have had on me. I want to point out that I do not think other interpretations of how the text may be read or used are invalid, but I do believe that if one wants to get out of it practical effects, one must follow the instructions in the text. There are a variety of ways to follow the instructions and I only include the methods that I drew from the text and used in my account, being influenced by Kaplans commentary as I was.

In response to the question "where is the other" in my account I can only say that I intended to write an account of my experiences, the results of the experiment on me so to speak, and my conclusions are tentative at best (although developing within the work on the Saadia Tree). Since there are so many conclusions that can be drawn from the text I made sure that it was all ME and MINE, and that it was concise in keeping with the nature of the account - this also frees up the other students of the group to produce their own write-ups. In terms of self-sacrifice and devotion to others, I have moved away from "dedicated" righthandedness, as I believe it is as unbalanced as lefthandedness - my move to Prague, which occured at the end of the study was part of this process. The Sefer Yetzirah was a means by which I could explore things about myself and my environment in order to follow the watchword of the esoteric sciences, Know Thyself. I feel I do know myself better now and am a much happier and contented individual, and this fact in itself has a positive ripple effect on the people around me. In this sense MY work, does have benefit for the OTHER.
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SY Project - An Account and Commentary - Ch.6 [Apr. 16th, 2007|11:13 am]
[Current Location |prague]
[mood | amused]

Chapter 6 – “One on three, three on seven, seven on twelve, And all are bound, one to another."

Leicester 2006 – Prague 2006

If Chapters 1-5 of the Gra Version of the Sefer Yetzirah were intended to set up the theoretical system of the text then Ch.6 establishes some general rules about how it functions in the world of moral action. We will first look at summarizing some of the theoretical ideas behind our study and then look at how it changed the individual student.

Partzufim are reconfigurations of the qblistic ideas to give them more meaning to the individual qblist. Before I began the SY study I already had 3 systems or Partzufim (derived from the Metabolism of Time 2001 edition): one, which details the 10 necessary steps undertaken by consciousness in order to perceive a single moment; the second, which is in many ways a system of “faces and Thrones” used as the basis of a physiognomic system, deriving generalities about individuals from a series of 10 archetypes; the third is a system detailing exactly how these archetypes are concealed because of attention surplus and deficiency behind a series of 10 masks, again based on the Sefirot.

The Sefer Yetzirah can be seen, in many ways, as a process through which the 32 paths come to life, transforming from “dead letters” and symbols into living breathing icons and systems of and for consciousness to employ – thus there is not only a Partzuf of Beit developed in the sense that the symbol for Beit has become a storehouse for all that is meant by Beit, but as well it has become a mental tool which can “create” Beit, in the larger world. Beginning with 3 Partzufim before the study I finished with over 32 Partzufim and this number brings us back to the most intriguing Partzuf of them all – The Tree of Life.

The Tree of Life is the ubiquitous sign of the QBL, the 10 interlocking Sefirot joined by specific Hebrew letters along lines called paths and although there are several popular tree designs few students understand this enigmatic idea and the processes involved in its construction beyond “rote learning” – suffice to say I began this study with a concept of the Tree but was already insecure as to exact path attribution to Hebrew letters this being down to the fact that I was aware of the different designs and through the study became aware of the different versions of the Sefer Yetzirah.

In Ch 2, I showed how the 10 Sefirot are unified into 1 Sefira and I referred to this Sefira as our “Foundation”. In Ch 3 of this essay I explained how the students stood the letters in a circle around the edge of Yesod, whilst imagining they were in the centre of Yesod, and meditated on each in turn. Out of the 231 “gates” that join the letters to each other there are eleven spokes that pass directly through the centre, these join each letter with its opposite letter in the Alefbeit – i.e. Alef with Lamed. These 11 gates of “diameter” subtracted from the 231 gates leave us with 220 gates which act as chords to the circle, 220 being 22 x 10.

The 11 gates that pass through the centre serve to unify the letters in the mind of the student. The letter one is facing and the letter one has their back to forming radii. The Partzuf of the 231 gates is an extremely powerful one.

These 32 paths, now united, leave us with the nature of active existence, our Logos, or Azoth, and in turn we can look at the Kingships and how the specific letters have their action in Malkuth, the physical world. It is as if our Yesod of 231 gates is enclosed in a larger circle or sphere and if our system of gates are perceived as letter like stones, then the Kingship is the physical impression of the letter in the manifest world, as if someone were pressing an object into plasticine, as if the letter Alef, when used, leaves an Alef-like “footprint”.

From the ToL then, we have derived “one name”, but now the ToL can be reconfigured with the understanding, the wisdom and the knowledge we have acquired through the study – we can literally undertake “Tikkun Ha Etz”. I had been intrigued by the Lurianic Tree with its division of the paths horizontal (3), vertical (7), and diagonal (12) to the mothers (3), doubles (7) and simples (12) – in fact in Ch. 6 of the Gra Version, a rule of 3, 7, and 12 is explained in a verse, alongside other information explaining how to rebuild a Tree and “be successful in creation”. It is outside of the scope of the account to go into all the reasons behind the Tree that I have reconstructed but I will say the following. My reconfigured Saadia Tree is based, approximately, on the Saadia Version of the SY which is one of the oldest and definitely the most poetically inspired version available (it can be found in the appendix of the Kaplan’s Gra version). I then attempted to formulate the simplest and most rational exposition of the principles of the SY in Tree format so I do adhere to the Lurianic path attribution system.

The mothers are ranked in the order they appear in the SY; air, water, fire with Air/Alef being closest to Keter and fire/Shin being closest to Yesod (this differs from the Ari)
The Doubles are taken in their rational order BGDKPRTh and assigned to the planets in the Chaldean order Saturn-Moon (the Chaldean system being the one in use at the time of the SY)

The simples are assigned according to the astrological man with Aries at the top of the ToL and Pisces at the bottom (my arrangement being similar but not congruent with the Gra), and the letters being divided between 6 severe letters and 6 merciful letters and placed on opposing sides of the ToL, the symmetry between the Yod and the Heh letters is reasonably clear.

The other ToL Partzuf I have created as a result of the SY study is the Etz Shaarei – A ToL where each Sefira is like the Sefira used for the foundation of 231 gates. This format reveals how one can arrange the letters on the Tree according to whatever personal logic and interpretation one has perceived from studying the text and in many ways reflects a Tree of personal interpretation as opposed to a dogmatic memorization of one of the extant Trees. The two trees and their bases are:

Etz Shaarei – The Tree of Gates, Tree of Freedom
Etz Saadia – The Tree of Reason

As stated at the beginning of this chapter, Ch 6 of the Gra Version is a discussion of the morality behind the SY, an exegesis which attempts to formulate practical rules for living and an explanation for how “Yah” works in the world – as well as instructions for constructing a Partzuf which expresses these rules like the Etz Shaarei or the Etz Saadia.

The SY works with the metaphor of the King and I believe if one reads in the imperative, the King is meant to refer to the individual student and in this way the SY acts to empower the individuals while at the same time imbuing them with a sense of duty. The SY does not attempt to create a tyrannous ruler, but a philosopher King who values learning (Wisdom, Understanding and Knowledge) and reason (Beauty/Meaning), as extensions of the Foundation they have constructed and as a way of expressing that Kingship to the outside world.

The SY returns to a simple description of the dimensions of space, time and observer (the moral dimension) and discusses how the King relates to them, i.e. on a throne, in his realm and in battle. In the same way that the SY does not shy away from transmitting a sense of power, it also does not shy away from conflict and confrontation, and its discussion of how the star signs interact is a description of some who hate and kill, and others who love and give life, and ultimately a description of a battle between good and evil.

Finally the SY implies that only they who have undertaken this journey of self-discovery, only they who understand the polar nature of the universe, its unification and their Kingship within it, via “the middle path”, only they who have acquired the language of creation through struggle and self-discipline will be successful in that act of creation.

6:7
And when Abraham our father, may he rest in peace,
looked, saw, understood, probed,
engraved and carved,
He was successful in creation,
as it is written,
"And the souls that they made in Haran" (Genesis 12:5).
Immediately there was revealed to him the Master of all,
may His name be blessed forever,
He placed him in His bosom, and
kissed him on his head,
and He called him,
"Abraham my beloved" (Isaiah 41:8).
He made a covenant with him
and with his children after him forever,
as it is written,
"And he believed in God, and He considered it
to him for righteousness" (Genesis 15:6).
He made with him a covenant
between the ten fingers of his hands -
this is the covenant of the tongue,
and between the ten toes of his feet -
this is the covenant of circumcision,
And He bound the 22 letters of the
Torah to his tongue
and He revealed to him His mystery
He drew them in water,
He flamed them with fire,
He agitated them with Breath,
He burned them with the seven [planets]
He directed them with the twelve constellations.

In conclusion, the SY is an extremely difficult book to work with because as Saadia Gaon said “many have been careless in transposing the text and there are many muddled version out there” and therefore there are many versions of the SY which disagree with each other in exactly what should be attributed to what. What this provides us with though are two fundamental learning challenges and opportunities and two, perhaps distinct, learning outcomes. Firstly we either accept the nature of language and specifically the language of creation as arbitrary and use the SY as a mechanism to free ourselves from dogma, release us into a truly individual mystical language, a kingship of personal expression and a fundamental liberty of idea – culminating in a realization similar to the Etz Shaarei; or secondly we see the SY as an ancient puzzle, a fusion of many disparate cultures, Hellenic, through Egypt, to Ancient Babylon, collected in this enigmatic Hebrew grimoire and take it upon ourselves to make sense of it – to form an individual “one true way”, a singular reason and purpose, “one name” that binds the mystery of the 32 paths, like the Etz Saadia.

Perhaps we can see these seemingly opposing ideas as the opposing methods of the hemispheres of the brain, the first approach being that of the holistic creative brain, and the other as the left detail oriented separatist and logical. Perhaps in the same way we are equipped with both hemispheres we can endeavor to attain to both methods simultaneously and in so doing, avail ourselves of both freedom and reason, after all freedom and reason derive from “one name” which is Logos.
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SY Project - An Account and Commentary - Ch.5 [Feb. 7th, 2007|09:47 am]
[Current Location |Praha]
[mood |awake]

Chapter 5 – "A great, mystical secret covered and sealed with six rings"

Bath 2004 – Leicester 2005

Having sufficiently married the ideas of theory and practice of the Sefer Yetzirah in the mind of the reader, we will treat chapters 3 – 5 of the SY, i.e. the concept of Kingship only in practice.

These chapters outline the "domain" of each letter or the principle that it governs in the manifest world of Assiah. In Ch. 2 the student was required to gain an understanding of the letter itself and although this was attained primarily in Yetzirah, the student could not help but notice some of the physical effects of the meditation in Assiah. Ch 3 – 5 are devoted to understanding the Kingship (Malkuth/Assiah) of each letter, or looking at how this Yetziratic idea finds manifestation in Assiah. Since one now knows the letters in Yetzirah, one is primarily concerned with the effects they generate in the material, be it through the action of "Yah" or the student, i.e. dependent upon whether you read the text in the 3rd person or the imperative. This section of the essay will focus on some of the general problems of the Kingships and then realizations specific to the mothers, doubles and simples accordingly.

• General

The main problem that I encountered at this point in the study is that there are several versions of the Sefer Yetzirah and each of them have different Kingships and associations with the letters and since I could not decide which version was the most authentic I resolved to simply study the Kingships themselves, and use the letter attributions of the Gra only loosely.

• Mothers – Bath '04

"A pan of liability, a pan of merit and the tongue of decree that decides between them" or so the Mothers and their action is described. They are a symbol of the problems of decision making, balancing between two extreme forms of action and/or deciding between them, i.e. choosing between right and wrong, or to do something advantageous or disadvantageous and the point of neutrality which rests between them. Water and Fire, are the Kingships of Mem and Shin although it is difficult to say which one is more liable, and which one is more worthy of merit, as fire burns, but warms, and water cleanses but drowns, but they are useful to contrast as a pair of opposites and when fire meets water, steam is produced which as vapour is a useful metaphor for air. During the Ash/Fire Kingship I had a near fatal fall after meditating for a long time on a physical fire and maybe put this down to my own foolish over amplification of what is defined as an extreme energy (and typically Shin is associated with "liability"). If I was doing the working again, I would study the 3 Kingships in a group rather than individually and would urge later students to take my advice in this respect and focus on their interaction rather than the individual Kingships themselves.

• Doubles – Leicester 04/05

These were particularly difficult to relate to letters but essentially these kingships govern 7 aspects which dominate our perception of how our self relates to the external world, as opposed to the 12 Kingships of the simples which clearly relate to our own inner attributes.

Governing such Kingships as Wisdom, Wealth, and Grace they can be used to induce phenomena or increase awareness of already existing phenomena associated with them depending whether you choose the imperative or the 3rd person interpretation.

It was at this point in the study that the differences and arguably corruptions in the text began to make progression extremely difficult and again the general advice would be to study them in a group and then use the different associations from the different texts as an exercise in mind mapping and looking at a letter from a number of different perspectives. One could conceivably argue that these letters govern the group of kingships in the same way it is the combination of planetary influences in a person’s horoscope that governs the combination of life, wisdom, wealth, etc that the person will engage in life so they [the 7] are responsible for all 7 Kingships and the text alludes to this.

• Simples - Leicester April '05 – March '06

For the study of the Kingships associated with the zodiac signs we decided to tie our study with the relevant zodiac sign beginning in April with Heh and Aries and sticking to the Gra version of the Kingship attribution.

This was a much more powerful experience than the doubles or arguably the mothers and lasted a full zodiac year. There would be some of the Kingships that I would argue are inaccurate as they did not seem to match with the experience of the month and the meditation therefore jarred slightly but there were definitely some that were entirely appropriate.

The general feeling after each Zodiac Kingship was an increased awareness of the faculty of sight, speech, or smell as an internal Kingship. By discerning "smell" from all possibilities of the senses, the fusion of the sense, and focusing a great deal of one’s mental energy on smelling for a whole month seemed to lead to a heightening of this sense and a deeper perception of what it means "to smell" to the soul of man. It was also as if from the head to the feet, the Zodiac man was opened up in the self, and one was more aware of the link between microcosm and macrocosm.

http://www.hps.cam.ac.uk/starry/astrologysml.jpg


Logan.
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SY Project - An Account and Commentary - Ch.4 [Feb. 6th, 2007|11:27 am]
[Current Location |Prague]
[mood |awake]
[music |Madonna???]

Chapter 4 – "And with them, He depicted all that was
formed and all that would be formed."

Leicester 2003 – Bath 2004

Using the methods outlined above, the students
proceeded to study the letters in turn from Alef to
Tav, and like the study of the Sefirot it would be
impossible for me to make a comprehensive list of all
I learned about the letters and what I experienced of
them, let alone the groups knowledge and experience –
suffice to say that simply the physical background of
summaries and short essays written on the letters
exceeds 250000 words and ranged across an incredibly
diverse list of commentaries, source texts, bible
quotes and insights from the students. All I will
attempt to do here is again to synthesise the main
outcomes of the study:

- Revelation: What is a Letter?
- Euphoria: The Power of a Letter!
- Trembling: The Dangers of a Letter!
- Unification: The Alefbeit

What is a letter?

There is an expression and a truth which dictates that
if someone is called a fool for long enough and
belives themselves to be a fool because of it, then
indeed a fool they shall become. Call someone ugly or
worthless repeatedly, and if they believe it for a
second they are in danger of becoming or feeling ugly
and worthless. What was once an idea will become a
reality, at least in the mind of the victim, Yetzirah
the world of imagination will become as of flesh,
Assiah.

It is this notion which is behind the discovery of
what is meant by a letter or symbol in the Yetziratic
sense. Through specific meditation on what was meant
by a particular letter of the Alefbeit, so that symbol
was revealed in the outside world - it came to be...
Abrahadabra! Many of these experiences were passive,
for example the student may have been contemplating
Mem, a symbol for waves and water, and quite
inadvertently have, through the suggestion of a
friend, had a picnic by a river or a journey to the
seaside, where their contemplation of water would have
been more "material".

But sometimes the experiences felt more active, a
student may have been meditating on Shin and a house
across the street may have caught fire and burned to
the ground – and it was this problem, whether the
experiences were passive or active that lead to an
inquiry into the nature of how the SY should indeed be
read for it is possible to translate the text in two
ways, 3rd person and imperative. You can read "He
made Shin", or "Make Shin". Out of the many
experiences that I had during this study I could never
say for sure whether I was witnessing the action of
some outside force or was indeed "creating as I spoke"
and this lack of certainty lead to the next two
realizations the Euphoria and the Trembling.

The Power of a Letter!

Every letter that I worked with seemed to be a
composite of positive and negative forces, i.e. there
were benefits and hazards of working with them, but
indeed some felt more beneficial than others and some
felt more hazardous than others. I think that this
difference in the apparent benefit or risk of working
with each letter is down to the astrological makeup of
the individual student, for example, I had
particularly strong experiences of Heh, Yod and Lamed,
which govern my Sun, Rising and Opposite sign
accordingly. Regardless of these differences every
letter did culminate in a sense of euphoria or
connection with divinity or infinity (devekut). It
was, as if standing in the circle of 231 gates you
were filling the cup of your mind with the energy of
whatever particular letter you were facing, until it
overflowed – the moment that it overflowed tended to
be connected with the euphoric experience and took
between half a moon and one moon to complete.

The Danger of a Letter!

The feelings and physical/paraphysical experiences in
working with the letters were not always pleasant and
there were many times when I experienced disturbing
breaks from myself, feelings of intense dread,
physical trembling, painful sensations and physical
accidents that on a number of occasions nearly claimed
my life. Again I believe that this was due to the
fact that my astrological makeup didn't necessarily
produce a vessel that nature intended to be filled by
a particular letter or that my vessel produced a
dangerous amplification of a given force. I only knew
that I and every other student survived the experience
and this was almost certainly down to the facts I
stated above a) we were working a group, so if someone
fell off the spiritual mountain, so to speak, there
were others there to catch them and b) that ultimately
we had someone be it Hermes, Jesus or Elijah that had
already attained to the summit and to whom we were
roped and anchored. I cannot attest my survival to
any other factors.

The Alefbeit

Once every letter had been meditated on we had reached
the point where we were standing in the middle of our
metaphysical circle foundation in Yetzirah, the
Sefira, surrounded by a ring of 22 infinite letters
which had been carved, engraved, permuted, weighed and
probed with and which via 231 gates are connected with
each others and with the mind of the students, us, in
the centre. Just as Chapter 1 was concluded with the
unification of the Sefirot into Sefira, not an
eleventh but 10 as 1 in Yesod, so Chapter 2 has been
concluded with the unification of the Alefbeit and in
so doing 32 paths are now 1.

Logos.
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SY Project - An Account and Commentary - Ch.3 [Feb. 5th, 2007|11:26 am]
[Current Location |Praha]
[mood | amused]

Chapter 3 – "He placed them in a circle like a wall with 231 Gates"

Leicester 2003 – Bath 2004

Having established our Foundation and the intent behind the study of the letters, we continued with the Sefer Yetzirah. In this section of the commentary I will outline the instructions of the text and the interpretation of the theory behind them and then in the practical section I will list some of the results of working with them.

The text reads "22 Letters of Foundation" and this was taken to mean Letters of Yesod, which is the first Sefira of Yetzirah and acts as the bridge between the real world and the world of imagination "Yetzirah." Yesod is our Sefira of unification, outlined above, the place where physical combines with mental, where spiritual combines with material. The letters were to be seen as symbols of distinct types of spiritual/mental energy, force or kinesis relating to the 3 elements, the 7 planets and the 12 signs of the zodiac. Since Yesod, Yetzirah, is often considered as male (Zeir Anpin / Ben meaning Son) and Malkuth as female (Nuqba, fallen daughter) it was theorised the letters were in fact vehicles of impregnation and the spiritual energy or force would find material manifestation.

The text reads "stand them in a circle like a wall with 231 gates" and Aryeh Kaplan’s advice is to visualise each letter as infinitely big, a whole universe of that particular Yetziratic idea in its own right. The letters then were perceived as "stonehenge" like blocks standing along the circumference of our Sefira Yesod and interconnecting with each other and the centre of the circle via their own direct opposite.


http://www.borndigital.com/tree/esa/ag/gates.jpg

We, as students imagined that we were in the centre of this circle and, facing Alef to begin with, rotated our visualisation through a depiction of infinite letters over a period of between a fortnight and a month per letter. I want to point out that times of meditation were not dictated by astrological concerns at this point of the study although in hindsight it is something I believe should probably have been considered. The duration of the study was more dictated by the exhaustion of the students with the analysis and visualisation of a particular letter.

The text instructs the student to use various methods to obtain insight into the letters using verbs such as "carve, engrave, permute, weigh, probe, etc" Pottery and stonework were major influences behind the choice of these verbs but these material sciences must be applied in the spiritual world; hence the construction of an infinite letter in the mind means contemplating the desgin of the letter, making a mold of it within the imagination, filling this mold and then using the implement created to probe the imagination with. The substance that the letter is formed out of and which it hews into is the stuff of thought, which some understand as Logos, or raw meaning, and some see as Azoth or the astral light, it is however, our one substance acquired in Ch 1 and the substance of "sefira" (i.e. Yesod) itself.

Two important considerations before continuing into the practical section of Ch 2 of the SY were the necessity of working in a group of students and under or with some kind of spiritual master. Firstly the importance of groupwork is down to validation of the experience through discussion which reduces the sense of madness (or losing touch with the self) and a deepening of the experience through the sharing of ideas and experiences. Secondly the importance of the spiritual master is to rescue the students when, as legend says, they ‚"sink into the earth up to the waist" – Since revelations within a study of this kind can be truly earth-shattering it is sensible to have a model of success to cling for and to aspire towards and the three main recommendations for this would be Trismegistus, Jesus and Elijah.

http://www.loyno.edu/~MidAges/Bathangel1%20%2022.jpg

http://www.paradoxplace.com/Photo%20Pages/UK/Britain_South_and_West/Bath_Abbey/Images/Fallen-Angel-Oct05-D6101sAR.jpg

http://www.kirkanddonna.com/rtw/pics/0905BathAbbeyJacobsLadder.jpg


http://www.shermanloan.com/~alank/albums/2001.05.london.vacation/bath/Bath%20Abbey%20(Front).jpg
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SY Project - An Account and Commentary - Ch2 [Feb. 4th, 2007|04:00 pm]
[Current Location |Prague]
[mood |accomplished]

2002 - 2003 Leicester

Before discussing the Letter study itself, I want to
mention the study of the Sefirot themselves which
accompanied the Angel study. So much can be gained
from a study of the theoretical Qabalah as it relates
to the Sefirot that it would be foolish of me to
attempt to list all that I learned through the study
of Ch.1. of the Sefer Yetzirah so I will attempt to
synthesise what I believe are the most important
points

- Depths
- Polarity
- Unification

Depths

The Sefirot are referred to as "Ten Sefirot Belimah",
the word Belimah being a word which is often inferred
(within this context) as meaning "nothingness" so the
verse reads "Ten Sefirot of Nothingness" , which are
derived from Nothingness (or No End, En Sof) as the
modes through which God (Elohim) acts in the world.
An alternative interpretation of this phrase "Ten
Sefirot Belimah" can mean Ten Sefirot "without
anything" or rather "Ten Sefirot without consonants"
implying the vowel sounds as opposed to the mothers,
doubles and simples which are explicitly united with
consonants (after working with the SY I favour this
second interpretation - you will see why later). In
one particularly powerful verse we read about ten
depths – "a depth of good and a depth of evil" and so
on with a depth for all six spatial directions (NWSE
and Up and Down) as well as the two temporal ones
(Beginning and End). Meditation on this idea produces
a profound sensation of being "inside" an infinite
universe of possibility and freedom of movement in
time, space and morality. It also yields a
realization that a loose abstraction of morality, i.e.
You are good or bad, fails the self, and its more of
a case of "how good can you be?", the answer of course
being that "there is no end to your Good". The
greatest realization for me, building on this idea, is
that human intelligence is better thought of as a
depth, an emptiness, or rather a "capacity" for idea,
for sensation, for action – as opposed to a list of
information one has acquired and which one can
regurgitate on cue, or a flair for logic or reason –
and also an appreciation that all human life has this
depth or capacity although it often lacks an awareness
of the "depth within". What room the mind has!

Polarity

The ten Sefirot are then conceived of as a system of
opposites, of five polarities (up/down, north/west,
good/evil, etc) which extend to infinity. Out of
these polarities emerge the structure of Etz Chaiim –
The Tree of Life, which is a model of
interconnectedness of the system of Sefirot via Hebrew
letters. The specific letter attributions themselves
are so much up for debate that the only important
point to recognise at this point is that letters do
connect to paths although exactly how so we will
return to later at the end of this essay. For now we
should just realize that the Sefirot are
interconnected and this interconnection leads from
polarity to relativity. "Good" then, is connected to
and defined by "Evil" as "East" is defined by "West".
Long hours of meditation on this system leads to the
construction of a "mental compass" and a serious
development of the internal communication system of
the mind; one, quite literally, builds neurological
bridges in the mind, connections are made that weren’t
there before as in the development of any skill. From
my own work on the theoretical structure of the Tree
of Life, I would argue that my reflexes have quickened
alongside my thoughts, and my ideas are developed much
more fluidly and fluently than they were before.
There are numerous other changes I could cite, but
hey, enough about me!

Unification

"The end is in the beginning and the beginning is
imbedded in the end" so read Ch.1 v.7 of the Sefer
Yetzirah. Via the Sefirot we have meditated on both
the infinity of direction, spatial, temporal and
moral, and the connection between those directions in
the sense of self – Am I in the north? Am I good? Am
I young? We find that whatever direction we move
towards extends into infinity and therefore the
meeting point of all directions, moving outwards from
the self, is infinity itself, En Sof or No End. Since
an equal amount of Good and an equal amount of Evil,
or an equal amount of any pair of opposites are
tantamount to 1 + -1 = 0 we find that the meeting
point of all Sefirot moves towards the self is indeed
nothingness – "Belimah". Through extension and
contraction of the sense of self, towards infinity and
towards nothingness we have identified a new polarity
– infinity and zero which we combine into the concept
of the Sefirot. Each Sefira has the capacity of both
infinity and zero. The Sefirot now, have been reduced
to a singular form "Sefira" and it is with this
concept of "Sefira" we have established our
Foundation.

http://www.bbc. co.uk/leicester/ news/images/ leicester_ clocktower_ 270.jpg
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SY Project - Account and Commentary - Ch1 [Feb. 4th, 2007|03:58 pm]
Chapter 1 - "He makes His angels of breaths, His
ministers of flaming fire" (Psalms 104:4).

2002 – 2003 Leicester

The study of the Sefer Yetzirah began with a programme
of invocation/evocatio n of the Archangels of the
Sefirot, generally using the attribution system of
Moses Maimonides.

The Archangels were invoked/evoked by specific
meditation on the letters of the name (e.g. Gabriel
would be Gimel, Bet, Resh, Yod, Alef, and Lamed)
through transliteration, superficial study of history
and legends, mantras and visualization over the course
of between a week and a month. It was this procedure
and the incentive produced by its powerful effects
that lead to the feeling that a deeper study of the
individual letters themselves was necessary; this lead
to Ch.2 of the letter study.

I will now detail what I believe were the most
important results/realization s of working with the
Archangels of the Sefirot and then detail some of the
particular qualities of each individual experience.
Other students may or may not disagree with me.

1) The existence of the Archangels, in some form, was
in no doubt after the study, but I do not believe that
the study can lends more credence to the argument as
to their nature; subjective or objective, mental
constructs or celestial beings, psychological or
universal forces.

2) Each Archangel that was studied had an entirely
unique character which related differently to
different students according to their own personality,
i.e. some had a more positive experience of Gabriel
than others, in the same way according to your own
nature you will resonate with other natures in a
unique way.

3) The nature of the Archangel was determined by the
letters that made up its name with the general suffix
'iel' meaning 'of God', 'of Mighty One'.

4) The two archangels that did not have the suffix
"iel" in the Maimonidian attributions are Metatron and
Sandalphon which are attributed to Keter and Malkuth
respectively.

The following is a list of the general feelings I
received and the kind of experiences I had working
with the archangels and in no way reflects the
experience of the student body.

Gabriel; The focus of this Archangel seemed to be on
traumatic memories, but not on any kind of healing
process, but more increasing awareness or knowledge of
how ones own trauma has affected the way one interacts
with the world. This Archangel seemed to have a very
clear and distinct "darkside", and the communication
occurred through synchronicities and messages drawn
from outside the self but the feeling of the Archangel
was very much internal, more of an invocation than an
evocation; the angel took up residence for the period
of the study. The culmination of the study of this
angel was recognition of my submerged issues, how they
affected the way I lead my life, and the validity of
psychodramatic ritual as an effective mechanism for
"dealing with" them.

Auriel; This working was characterized by two factors
a) a communication of the purpose or function of the
Archangel delivered by the being itself and b)
specific information relating to the nature of
Daat/Malkuth and the nature of Nogah/Netzach. The
communication primarily took place through insight but
the angel was felt as an externalized being
(evocation) "planting seeds" in the mind. The
communication of the purpose was revealed through
walking (a very practical method of contemplation) and
this purpose was consolidated in a visualization of
Auriel as "Shaft" from the popular US TV series – in
this instance "Shaft" was dressed as a harlequin and
carried a shotgun; the Angel clearly felt this costume
reflected something of his permanent mission. The
communication regarding Daat and Netzach took place
through seated meditation and the insight was related
to orbital ratios of the planets (particularly Earth
and Venus) and then related Sefirot. A continued
meditation on "rotating" Sefirot lead to an
"experience" of Daat which was in turn related to
parallel universes and negative/shadows selves.

(some of these ideas contributed to
www.thelogos. co.uk/knowledge. htm)

Raphael/Michael; This working was confused by the
controversy surrounding the attribution of the
Archangels Michael and Raphael to Mercury and the Sun,
so both were undertaken at the same time. Raphael is
said to be the "spirit that standeth in the sun" and
this could arguably be related to what Saadia calls
"the star of the sun" i.e. Mercury, but a theoretical
discussion of the merits of one approach as opposed to
another is outside the remit of this account. I do
not believe anything was taken away from the
meditation and it was a lot more powerful than the
others. The communication from the Angels occurred
primarily through waves of emotions and was
concentrated via "conversation" with the Sun. The
feeling was one of intense diminution but alongside
this an intensification of importance. Again, in this
case, the Angels seemed to be evoked rather than
invoked and the experiences of mercy, forgiveness,
healing and clearing of the soul were so powerful that
I was reduced to tears many times during the course of
the working. After the exhaustive weeping the angels
delivered a sense of warmth and lightness, alongside a
renewed sense of purpose.

Haniel; This was the only angel that was observed
outside of the self physically and appeared as a kind
of "phantasmal light", a supraluminescent glow, which
communicated again through intense waves of emotion.
The result of this was again, an intense and
exhaustive weeping but rather than feeling "laid low",
the Angel offered practical advice in channeling and
observing beauty through aesthetic appreciation. The
Angel clearly suggested looking for beauty in obscure
places like the motion of the scissors in a
hairdressers hand or the skilful manipulative
conversation of the salesman. There was a recognition
of "the enemy of culture" that seeks to devalue
quality and of the personal power of discernment.

Sandalphon; This was by far the spookiest of the
workings as the Angel was evoked and sensed as a "real
presence" standing directly behind you. It felt like
one was being watched constantly but without a motive,
a kind of impassive observation of my soul by an
independent being. There was indeed a greater sense
of this impassive observer standing behind all
individuals but most importantly, standing without
judgment, and this lack of judgment communicated a
sense of being imprisoned at the same time as feeling
free.

Metatron/Raziel; After this further workings were
undertaken with Metatron and Raziel but my mind was
overloaded both times and I got very little of value
from the experience excepting an insight via Raziel
regarding the Tarot that lead me to abandon this
discipline in favor of working purely with the
Letters.

At this point the working with the Archangels was
abjured as it was felt that a deeper revelation could
be found through studying the individual letters of
the Alef-Beit before attempting to combine them in to
"Angels" which were essentially felt to be power
words.

http://www.sundials .co.uk/leicester /fig20.jpg
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Saadia Tree - Warrior King [Aug. 23rd, 2006|05:13 pm]
"Arrange them like a battle..." Sefer Yetzirah.

The warrior king looks out over the field, dark clouds
roll in from the east; from his chariot he considers
the weapons in his hands. First the sword in his
right.

http://www.thelogos.co.uk/darkwood.htm

"The blade of this sword I have forged has two sides,
the Yod and the Kaph, the fist and the palm. The edge
to strike, the edge of severity composed of nail,
sword, fist, whip, eye, hook; the edge for slashing,
hacking, smashing through the enemy blade" he runs his
finger along the sharp blade and draws blood, then
deftly twists it.

"The edge to parry, the Kaph, the palm, excellent in
defense, deflection, protecting the weak of my people,
Israel, the Society of Spirit, who cannot carry this
blade." This edge is serrated, and has dips in the
surface which reflect the sun in a kaleidoscope of
light.

"With the Kaph I may dazzle the enemy, catch his blade
in my own, twist, disarm and stab..." he gestures with
the blade, then holds it forth, and runs his finger
along it again. "See the fine line dividing the two,
beginning in the circular pommel of silver engraved
with every letter, and ending in a point as sharp as a
star to pierce the heart of my enemy..? And, with
everyone of them I smash, I weep tears of blood over
their fallen, for I cannot count the hours that have
gone into making their pitiful weapons."

He closes his eyes for a moment, and opens them to
speak to his charioteer. "For long years, my brothers
and I worked, discovering the secret of forging this
steel of Saadia. We carefully experimented with each
element, we probed, we weighed, we permuted, we carved
and we engraved and we WERE successful in creation.
There were accidents, we tripped, we were burned,
dazzled in that forge. We fell through the earth to
our waist but we rose again. Elijah himself worked
with us in that forge. If Elijah were not there we
would surely have perished, each of us, of a blasted
mind. Why did he work with us for all those years,
smiting with the Yod, and deflecting with the Kaph?
This sword is not for ceremony, it is not for us to
dress in robes and worship false Gods, waving it in
the air, asking for baubles from djinn. This sword is
of excellent construction and it is made for war.
This sword is made to drive the Baalim into the river
and slaughter them there." He lifts his eyes
heavenward. "I know now why I must fight, Elijah."

The warrior king looks out over the field, dark clouds
roll in from the east; from his chariot he considers
the weapons in his hands. Second, the flail in his
left.

http://www.thelogos.co.uk/requiem.htm

"The flail is used at first - to weaken and confuse
the enemy, to lash at them and their armour from our
chariot - then when they are down and broken, finish
them with the sword. This weapon too is of superior
construction to anything their long hours of work with
the Baalim have mustered, our weapons of Yetziratic
steel smash through their bronze. Ride around them in
your merkava, lash them with the flail, finish with
the blade." He considers the flail... Twenty two lines
of Saadian steel wire hang from the pommel which
itself is shaped like a closed hand. From each of the
lines of wire, hang a small, sharpened letter,
designed to bite through flesh and smash through bone.

"I said I would come here to build an army, but I do
not wish to be your master, or your general. This is
to be an ARMY OF KINGS. I will give you this sword
and this flail, as a brother, and as a fellow King of
Israel so that we may build a New Jerusalem together
but you must learn the secrets of its composition for
yourself. You too must work for years in mastering
the blade and the line, the technique of the forge,
but I offer you this weapon, in exchange for your own.
This is no choice really. If you persist in your
arts I will not give it to you, I will put you to it.
There are some of us of Israel, and I speak of the
Society of Spirit, that cannot or will not wield this
blade, and it is our honour and our duty to defend
them from Baalim, the false prophets, the ones who
offer them masters in place of their own true selves.
Sometimes one cannot wield a sword, sometimes I come
AS a sword."

Logos.

"Twenty-two letters: He carved them, hewed them,
refined them, weighed them, and combined them, and He
made of them the entire creation and everything to be
created in the future. How did He test them? Alef with
all and all with Alef, Bet with all and all with Bet,
Gimel with all and all with Gimel, and they all return
again and again, and they emanate through two hundred
and thirty-one gates. All the words and all the
creatures emanate from One Name." Sefer Yetzirah,
Saadia Version.

"I have bedimmed the noontide sun." Prospero, The Tempest
link8 comments|post comment

Saadia Tree [Aug. 17th, 2006|08:04 pm]
[Current Location |Prague]
[mood | hungry]
[music |Something in Czech, I think?]

I tried writing out the Kingships on the Tree the
other night. I have struggled to do this before
because of the lack of a Tree diagram that I was
comfortable with. Now I seem to have this Saadia one
set up, and no one seems to be able to defend the Gra
(although there is room for defence) or the Kircher
Tree (no defence at all) effectively, I am quite
comfortable enough to do this.

However I did have to move a couple of the Saadia
Kingships around because they don't seem to make sense
(its the one bit that doesn't really work - although
its only the double kingships that seem a little
silly). They make work as they are written in the
text but they didn't seem to gel too well for me.

Anyway draw out a Tree and try this, you need to use
the Ari Tree or the ALL NEW Saadia Tree for this to
work though. If you use the Kircher Tree you'll just
end up with nonsense which is pretty much what the
Kircher Tree is.

Anyway start with a plain tree and just draw the
vertical double kingships on. I'll give you a
description of how I've done it and then you can give
it a go and tell me if it makes any sense to you.

Keter-Tifereth - Beit/Saturn - Life
Hokmah-Chesed - Gimel/Jupiter - Wisdom
Binah-Gevurah - Dalet/Mars - Seed
Tifereth-Yesod - Kaph/Sun - Wealth
Chesed-Netzach - Pe/Venus - Grace
Gevurah-Hod - Resh/Mercury - Peace
Yesod-Malkuth - Tav/Moon - Dominance

You can do this, if you have not done this already,
with the simple kingships as well, although it works a
lot better if you use an astrological man approach to
it like the Gra or in my Saadia Tree. By the way this
astrological man approach is OBVIOUSLY how it should
be laid out.

Apply the kingships and you get SIGHT from Ket-Hokmah
and HEARING from Binah-Ket, etc. They are really
quite interesting as well. I actually applied the
same kind of directional pattern to them as I do in
Act 1 of the Metabolism of Time
(http://www.thelogos.co.uk/act1.htm)
so you get an arrow, if you will, pointing from Ket
--> Hokmah called sight and then an arrow pointing
from Binah --> Ket with hearing. Interesting, no?
The others are equally interesting when you try them.
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Hypothetical Saadia Tree [Aug. 17th, 2006|08:02 pm]
[Current Location |Prague]
[mood | hungry]
[music |More 80s stuff, I don't know what it is with the radio out h]

This part of the post is going to seem a little
complicated especially for beginners. I am refering
to Kaplans text on the Sefer Yetzirah and I am trying
to provide more back up for my attribution of Alef to
the top horizontal on the ToL.

Tradition (meaning the Ari) places Alef on the middle
horizontal path because this would be the chest in the
supernal man, and with Alef the chest is formed. The
other main argument I can see for putting Alef on the
middle horizontal is that Alef 'decides between them
(Shin and Mem)'. It is important to not though that
in the diagram in the SY (Kaplan edition) Alef
deciding between them is seen above them as the top of
the scales from which they hang.

I have a number of reasons for placing Alef as the top
most horizontal.

Firstly the creative texts in the Yetzirah begin with
Breath and then Breath from Breath and only then Water
from Breath, and Fire from Water. Breath then should
be first to be derived if we are talking about a
linear process of creation from the Supernal Triad.

Alef should be the mediating force between Fire (Shin
pillar of severity) and Water (Mem pillar of mercy) at
the top of the Tree. If you have Shin on the top path
then it becomes unbalanced at the top. You have the
Fire based Binah sefira with Shin/Ash/Fire leading
across to Water. If you put Alef here, then Alef
decides between them.

Alef symbolises nothing, emptiness, air, the silent
inbreath. It should therefore be the letter closest
to the top of the Tree in Keter which is theorised as
concentrated nothingness or light. I use the picture
of beams of sunlight through the glade as the symbol
of air in the movie. The spelling of light if AVR,
the spelling of Air is AVYR.

Those three reasons should be pretty ok with you all
but the next one is a little trickier.

3:6 Three Mothers AMSh
in the Soul, male and female,
are the head, belly, and chest
The head is created from fire
The belly is created from water,
and the chest, from breath, decides between them

Kaplans commentary on 'The Chest'

"The Hebrew word for Chest here is Gaviyah. The use
of Gaviyah for chest is also unique in Hebrew
literature. Usually, the word REFERS TO THE BODY AS A
WHOLE, and some commentaries here also state that it
denotes the entire trunk."

Alef then if we read it another way is used to create
the whole body; the chest, or rather the entire form
is created from air/Alef.

He continues "Some commentaries interpret Gaviyah to
denote the sexual organ. In the language of the
Mishnah, we indeed find that the 'head of the Gaviyah'
refers to the tip of the male organ. However as the
commentaries note, only the term 'head of the Gaviyah'
has this connotation, and not the word Gaviyah
itself."

There we have it then! The Gaviyah is the whole form,
the beginning of the creation of the Tree, the
creation of the chest or space when the tree goes from
being one line to being three, i.e. creating a space
or chest, Alef then as the top most path, with the
'head' of the Gaviyah being the phallus and therefore
related to Shin on the lower horizontal.

Come on ladies, and men both, how often are we as men
rebuked for having thought with our penises?

The belly as Mem should be the central horizontal for
the reasons I discussed in the previous post, and the
fact that in Man the belly is around the chest area,
not someone near the penis as it seems to be in Figure
42, pg 151 Kaplans' Supernal Man.

http://www.thelogos.co.uk/darkwood.htm

http://www.thelogos.co.uk/requiem.htm
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(no subject) [Aug. 17th, 2006|08:01 pm]
[Current Location |Prague]
[mood | hungry]
[music |Queen!]

I was looking at the Gra Tree and the Ari Tree in
Kaplan's SY last night to try and find if there were
any similarities between these trees and the
hypothetical Saadia Tree.

First of all it is important to mention that the Ari
tried to rectify the system of the Sefert Yetzirah
with teh system of the Zohar in his Tree. These
systems, according to Kaplan, were very different to
each other, like wildly different schools of Kabbalah
that rarely crosspollinated. Correct me if I am wrong
but I believe Kaplan suggests that the Zohar is more a
development of the Merkava tradition than the
tradition of the Sfr Yetsira.

The Ari Tree then I can only assume is pretty
incomprehensible to me because of my lack of knowledge
of the Zohar and if I were to understand the Zohar I
would get the Ari Tree. I also assume that his
placements are based on theoretical intepretations of
things like the order of letters in creation, etc that
is present in the Zohar and from his own system of
Yichud meditations. However I am not concerned with
interpreting this Tree as I wish to learn the system
of the Yetzirah from Saadia, a much earlier
commentator and one that didn't have to go through the
business of rectifying it with the Zohar which had
been accepted by the Ari's time as the predominate
source of wisdom for Kabbalists.

The Gra Tree makes some sense to me, as I can see that
he has arranged the simple letters with Aries towards
the top and Qoph towards the bottom and the symmetry
on his Tree goes across the diagonals rather than
vertically down. For instance I, in the hypothetical
Saadia Tree, place Vav on the path from Keter to Binah
as does the Gra, but then he puts Zayin on Hokmah to
Tifereth, rather than like in my Tree Binah to
Tifereth.

http://www.thelogos.co.uk/darkwood.htm

When you put the Gra attributions witht he double
letters, planets etc and look at where he places them
on the verticals, I can't make sense out of it,
although I guess it may well becausehe uses different
planetary sefirot to me, having rectified with the
Zohar. In my Tree I have the planets attached with
double letters to the planetary sefirot that they are
leaving or stemming from. Kaplan talks about this in
his commentary

"4:5 Seven and not six...

This is very much like 1:4, and the two should be
compared. The seven doubles are often associated with
the seven lower sefirot. Actually however, these
seven letters represent the seven vertical lines on
the Tree of Life diagram. The seven lower sefirot are
merely the lower end point of these seven vertical
lines.

These ladders are therefore the ladders leading upward
from the seven lower sefirot, and this is the way in
which the two are associated. One of the main
functions of the double letters is to climb vertically
on the Tree of Life. One rises through the hard sound
and descends with their soft sound."

I must point out here that I don't believe that Kaplan
believes the Gra version is all together the most
accurate version of the SY. He says he puts this as
the main translation with his commentary out of
deference to the majority of commentaries and the
Zohar. I believe with his earlier inference about
their being two schools, Yetzirah and Merkava, I think
the most rational one to use is the Saadia Version of
the SY and then build a ToL based on its more firmly
astrological rather than Zoharic attributions. I
think if he had hadn't of made that deference and
written it the way he wanted to we would have Kaplan's
version being the Saadia in the Imperative.
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(no subject) [Aug. 17th, 2006|07:58 pm]
[Current Location |Prague]
[mood | hungry]
[music |Queen!]

I was reading the introduction to the Sefer Yetzirah
again last night and I discovered a quote of great
importance to myself and possibly to the esoteric
community at large.

'As early as the 10th century, Saadia Gaon, remarked
about the many variants of Sefer Yetzirah, saying, "It
is not a common book and many people have been
careless in changing or transposing the text." A
century later, Rabbi Yehudah Barceloni likewise notes
that, "there are many, some very confused." In 1562,
the printers of the first Mantua edition remarked how
they had to sift through many manuscripts to find a
dependable text.'

Saadia Gaon, as probably the earliest existent
commentator on the Sefer Yetzirah has become something
of a personal hero to me and I find it amazing that he
would have made such a comment as that is how I have
felt since I was first introduced to the Golden Dawn
system some 9 years ago, and this comment has really
been indirectly the guiding light behind my recent
campaign throughout Yahoo Esoteric Groups. As I have
mentioned before it always struck me as inherently
wrong and muddled, I knew that I was contorting my
imagination to suit the various explanations for the
positions of the paths on the Tree of Life. I laugh at
myself now, as I imagine myself reading the Book of
Thoth and trying to apply Crowley's incredibly
provacotive and imaginative imagery to the various
tarot positions that I had laid out on my as yet very
uncomfortable seedling of a Tree.

This Saadia Tree sings to me in ways that I have not
experienced before. It is not because of the logical
array of the paths, it is not because of this
arrangements particular fuel for my imagination, or
because I sit comfortably with it on sme theological
grounds. It sings because it is Logos. The letters
now have inherent REASON, whereas before they had
borrowed muddled reason. Since I developed this tree
I have found the letters much easier to write in my
imagination, and I have also found that my minds pen,
if you will, uses a different thinner script than
before. Regardless of all that, I am not here to
force this Tree upon you, although eventually I would
like to see it given the recognition that it deserves
with all the other Great Trees.
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